science fiction

Divergent by Veronica Roth

Note: This review was originally posted on my blog "Shelf of Friends" on March 6, 2012.

Statistics:
Title: Divergent
Author: Veronica Roth
Pages: 576
Genre: Dystopian
Age Range: YA
Publication Date: 5/3/2011
Publisher: Harper Collins Publishers

What’s it about?

Beatrice, Tris for short, lives in the city of Chicago, but a Chicago of the future, and a Chicago that seems isolated from the rest of the United States. In her society, people are divided into five factions. The selfless and serving Abnegation, the honest and candid Candor, the artistic and caring Amity, the knowledgeable and studious Erudite, and the brave and fearless Dauntless. Every citizen is a member of a Faction, and those without a faction—the Factionless—are an untouchable caste.

Tris grew up in Abnegation, but every teenager is tested for which faction will best suit them and allowed to choose. The test is a simulation where several scenarios are presented and the reaction shows whether they are selfless, honest, caring, studious, or brave. Tris must choose to either stay with her family in Abnegation—where she has never felt she fits in—or to choose her own path—which will mean she will never truly be with her family again.

When Tris chooses to follow her heart and become a Dauntless, she must face the consequences of leaving her family and jumping into the dangerous initiation rituals of the Dauntless faction. And she must also keep secret the true results of her test, a secret that if revealed would be even more dangerous than the often deadly Dauntless initiation.

It’s YA. Tell me about the boy!

Four (yes, his name is a number) is everything you expect from a cliché YA boy….at first. He’s mysterious, aloof, unpredictable, and dangerous. But he’s a member of the Dauntless Faction so “dangerous” pretty much characterizes everyone in that faction. And I was really afraid for a good half of the book that Four was only going to be that dangerous, cliché boy—the one that you cringe to think about any girl being with. However, as the story progresses and our main character gets to know Four better, we see that all this cliché expected stuff is a very surface interpretation of him by a girl who barely knows him. The more we learn the more we discover that Four is anything but cliché. He’s a fully realized character, and if anything seems like a real boy in his late teens. (And really making a character seem real is the highest compliment.)

What makes Four real is not only his characterization but the relationship he develops with Tris. This is not your standard dangerous boy that girl is mysteriously drawn to and can’t help it. And it’s not your standard, boy completes girl by being awesome and being so much stronger than her at everything. Four is good and strong in some areas, and in some areas he really needs someone like Tris in his life—someone to be strong for him, to protect him. I really can’t say more than that without being spoiler-y, but I thought the relationship that developed between Four and Tris was amazing.

What makes this dystopian different from all the rest?

In most dystopias—especially YA dystopias—the main characters somehow know or quickly learn there is something innately wrong with the world they live in. One day they find an old document that describes how the world used to be and the main character thinks “What freedom people used to have! We are so oppressed. I’m dissatisfied! Argh!” Now in some dystopias, this response makes sense (example: Dark Parties. I don’t really think there is any other reaction you could have upon learning what she learns.). But this response doesn’t make sense in every dystopian situation.

A dystopia by definition is the opposite of a utopia, a land that is not a perfect idyllic place. Well, I love my country and I’m so glad I live in America, but let’s be honest. We don’t live in a utopia. Star Trek is a utopia. Modern America is not. But most of us don’t look at our world and think “I must overthrow all of this now!” Instead we look at our world and say, “I see the good intent here. I see the beauty and strength of the Constitution. But we as a society are missing something. We need a course correction.”

That is exactly the response Tris has to her world and it’s beautiful. It fits perfectly. She doesn’t look at her society with horror, seeing it as a place of restrictions and oppression. She looks at her society the same way we look at ours. She sees the intent behind the society, understands it, and wishes not to completely alter her world but to bring it back to its roots and intents. Is she correct? Should she want to completely alter her world and make it our own? Some people probably think the answer to that is yes. I think that’s a little ethnocentric. Our own society of freedom has its downfalls, it’s aspect of dystopia, just as hers does. Perhaps we’ll discover in sequels that her society is even darker than we think and the answer is to overthrow it. But for now, I think her desire not to overthrow but to fix is more realistic, and I love that. It’s a different perspective than most dystopias have, and honestly I think it’s the more realistic one. And that makes this book worth reading.

If this was a movie, what would its rating be?

This book is pretty safe when it comes to sexual situations and language. At the most there is some kissing and I can’t recall any bad language. But there are a couple of other things for parents and readers to be aware of.

Tris is encouraged to do many things that in our society would be viewed as reckless (jumping on and off of trains, jumping off buildings….). She also gets multiple tattoos, and I know some people don’t like tattooing in general, so just be aware of that.

However, the worst thing rating wise is undoubtedly the violence. The students are trained in hand to hand combat—which overall I wouldn’t say is a bad thing, but the hand to hand combat takes a turn for the worse when one of the instructors basically encourages the students to beat each other to a pulp. There are also some rather violent assaults (people being stabbed, people being threatened with being dropped over a cliff) and a suicide. There is also basically a massacre. I’m not talking a war. I’m talking people being lined up and shot. So yeah. Violence wise this probably gets an R. However, I think it’s important to note that none of the violence is gratuitous. It all makes sense in the world that Tris lives in and the story that is being told. And the violence isn’t glorified; most of the violence is viewed in a negative light.

So even though violence is R, I would say everything else is around PG or PG-13. This book is more than appropriate for teen readers (who are the target audience) and even advanced younger readers. I could have read this in fifth grade with no emotional scarring.

Overall, how was it?

Overall I loved this book. It was quick, fast paced and it sucked you in. It had great tension and characters who readers can relate to. If you love dystopians or just YA in general, you will love this book. I give it two thumbs up!

Bumped by Meg McCafferty

Note: This review was originally posted on my blog "Shelf of Friends" on February 14, 2012.

Stats:
Title: Bumped
Author: Meg McCafferty
Pages: 336
Genre: Dystopian
Age Range: YA
Publication Date: 4/26/2011
Publisher: Balzer + Bray
 

What's it about?

In the future, a virus will sweep through mankind that will make nearly everyone infertile. Nearly everyone, except teenagers. In this future where procreation depends on the young, birth control has been allowed and being pregnant has become the latest fashion piece. No ensemble is complete unless a girl has a nice round bump of a baby growing inside.

Melody is a teenage girl who has contracted out her womb to a rich couple who want a child. Melody is pretty much a perfect choice being intelligent, beautiful, and athletic. But because she's on contract, she can only reproduce with a male selected by the rich couple. So while Melody waits for a guy to be picked, her friends are all on their second or third pregnancies. Being a virgin without any pregnancies to her name, Melody finds her popularity quickly slipping.

And it doesn't help when her twin, Harmony, suddenly shows up at her house. Harmony has grown up in a deeply religious society, one that is a cross between Amish and extremely conservative Christianity. Harmony has come to save Melody's soul, to bring her to God and to keep her from selling her body and her womb. But having grown up extremely sheltered, it is no surprise that Harmony is shell shocked by the world.

The two identical twin sisters have starkly different beliefs, but through a case of mistaken identity, the two come to question everything they've been taught and they begin to take their futures into their own hands.

It's YA. Tell me about the boys!

We have two girls, so of course there is more than one boy! Zen is Melody's best friend, but that's all he can ever be. Even if Melody didn't have to abstain in favor of some boy her rich benefactors are going to pick, Zen is not the sort of boy any girl would date. Despite his good looks and intelligence, he is much too short, making his genes not favorable.

Jondoe on the other hand is the most desired male stud (for lack of a better word). He's everything a couple could want in their kid's genes: beautiful, intelligent, and athletic. On the surface he seems like any other superstar: arrogant and extremely confident. But beneath the surface superstar Jondoe is a boy named Gabriel, whose personnel beliefs might seem odd for such a premier stud.

Ram is a shy quiet boy from the same sheltered community as Harmony, who follows Harmony from their community out into the world. He just wants to take her back and live a normal life, even though he has his own secret that means he can never truly fit in their religious community.

These three boys are vastly different. All three have varying beliefs and feelings about how the world has turned out and their role in it, helping to flesh out this controversial world.

Wait....what? Is this book glorifying teenage pregnancy?

No. In fact, I believe that's the point the author is trying to make with this book, that often in today's world teenage pregnancy has been glorified, whether it's Juno or Teen Moms. In the world presented, teenage pregnancy has been glorified: both in the secular world and the religious community. In Melody's world, being pregnant is the cool and fashionable thing to do; it's also a smart financial decision, and her parents are relying on the money her womb will bring. In Harmony's world, it's her religious duty, a role that she must fulfill in order to be viewed as an adult and a real woman. As we follow both girls through the story, we discover the danger of both views and of when this pressure is being put on such young girls. There is a world of adults who want children, and they're exploiting teenagers and even preteens--making them sacrifice their lives and their bodies to the cause of procreation.

I assure you it does not glorify pregnancy, if anything it argues for why teenagers should not get pregnant, and the dangers of a world where such extreme pressure is put on teenagers.

Does this book portray Christianity negatively and poorly?

This was a real worry for me in this book, being a Christian myself. I completely agree that in a scenario like this, societies like the one Harmony's from. I don't agree with her society, finding it highly judgmental and too much emphasis on becoming what they want you to be, but I think it would exist. Groups like that exist now.

The book also presents a different view of Christianity which probably aligns more with what I believe, except what they believe about allowing their kids to have sex for procreation and for money outside of marriage. Now I can generally get behind what these people said about children being the greatest gift of all and such, and how their kids are filling a need and showing love by having babies--but it left me wondering what happened to artificial insemination in this world. I could totally see what these parents were thinking and then letting their son's donate sperm and their daughters get artificially inseminated. I guess sex is cheaper and easier than artificial insemination, but still. I just don't see any Christians being cool with their kids sleeping around for money to produce kids for other people.

So basically this book presented two views of Christianity that I don't really agree with. But if you're a Christian it definitely makes you think--how would Christians react to this situation? What would be our response? And what is the right course of action when only teenagers can get pregnant?

If this was a movie, what would its rating be?

I can't recall any bad language, and there is pretty much no violence. But this book is pretty much all about sex and pregnancy, so yeah. I would definitely not have been comfortable reading this as a middle schooler or early high schooler, and probably wouldn't let my kids that age read it either. But for older teens, it can lead to really good discussion and thoughts about what would happen in this scenario and about the pressures around teens regarding sex. None of the descriptions of sex are graphic, it's very PG-13 fade to black, but there is some honest talk about pregnancy that can be disturbing for those of us who are squeamish, though there is no birth seen on screen in the book, so not graphic in those terms. But pregnancy is a way of life for the teens girls in this book, and it doesn't always end well for all of them.

Overall, how was it?

This book presents a very interesting world that can lead to a lot of interesting discussion. If you're looking for a dystopian about a pair of girls overthrowing an evil regime, this isn't that book. If you're looking for a world not that different from our own where one virus changes everything, this could be that book. It definitely leaves you waiting for the sequel, wondering what's going to happen next--how these girls are going to go on with their lives after the events of this book.